| Exploring interlingual live subtitling from the perspectives of Chinese viewers |
13/11/2024-15/11/2024 |
Qing Han |
| “That’s not what they said!” The impact of mismatches between the dialogue and the intralingual English subtitles on native and foreign viewers |
13/11/2024-15/11/2024 |
Valentina Ragni, Sonia Szkriba |
| Changing subtitling audiences in the UK. A cross-sector industry perspective |
13/11/2024-15/11/2024 |
Carol O'Sullivan |
| Subtitling sexual language into European Spanish. The case of "Succession" |
29/05/2024-31/05/2024 |
José Javier Ávila-Cabrera |
| “In my restless dreams, I see that town”. Fan translating, curating and recontextualizing horror games |
19/04/2024-20/04/2024 |
Selahattin Karagöz |
| Friction and smoothness in remote sign language interpreting in educational settings |
19/04/2024-20/04/2024 |
Marjo-Leea Alapuranen |
| Konekäännös, käyttäjä ja katseenseuranta. Miten ihmisen ja konekääntimen kääntämät tekstitykset vastaanotetaan käyttäjän näkökulmasta |
19/04/2024-20/04/2024 |
Frederike Schierl |
| Translating "Night City" |
19/04/2024-20/04/2024 |
Mattia Thibault |
| Where film dialogue, creative media accessibility and a West-Flemish strongman meet |
06/07/2023-07/07/2023 |
Sabien Hanoulle |
| Audio description, ideology and the normalization of violence |
06/07/2023-07/07/2023 |
Purificación Meseguer Cutillas, Marina Ramos Caro |
| Accessible filmmaking training. A competency-based curriculum to train filmmakers in media accessibility |
06/07/2023-07/07/2023 |
Florencia Fascioli |
| Co-creating accessible videos. The Mediaverse-CROMA experience |
06/07/2023-07/07/2023 |
Anna Matamala, Víctor García-Melero, Mariona González-Sordé |
| Promoting accessibility and inclusion with subtitling for the deaf and hard of hearing (SDH) as an AVT tool in the EFL classroom |
06/07/2023-07/07/2023 |
Anca Daniela Frumuselu, Antonio Jesús Tinedo Rodríguez |
| Making accessibility agile. New challenges and opportunities |
06/07/2023-07/07/2023 |
Estel·la Oncins, Iris Serrat Roozen |
| AD and SDH on Portuguese state-sponsored channels. State of play and where to? |
06/07/2023-07/07/2023 |
Cláudia Martins, Catarina Xavier, Susana Valdez, Sara Ramos Pinto, Silvia Malena Modesto Monteiro, Mariana Martins, Marta Morgado |
| Oral easy-to-understand language and audiovisual content. How do they mix? |
06/07/2023-07/07/2023 |
Marina Pujadas-Farreras |
| Accessible narratives for ADHD audiences |
06/07/2023-07/07/2023 |
Lacey Allen |
| Inclusive initiatives in the museum. SDH in the Centro José Guerrero |
06/07/2023-07/07/2023 |
Eva Guarddon |
| The evolution of text elements in films. From intertitles to tailored subtitles |
06/07/2023-07/07/2023 |
Rocío Inés Varela Tarabal |
| Taking stock of the audio description research landscape. A bibliographic approach |
06/07/2023-07/07/2023 |
Nina Reviers, Gert Vercauteren |
