Examining the impact of different workflows on quality. Automatic speech recognition and post- editing in intralingual subtitling |
06/07/2023-07/07/2023 |
Kaisa Vitikainen |
Audio description strategies for conveying characters' actions and emotions. Case studies on Thai television drama |
06/07/2023-07/07/2023 |
Kulnaree Sueroj, Mariana Lopez |
"To feel or not to feel" . When getting sexually aroused without seeing is the question. Facial expressions, cortisol, HR and engagement |
06/07/2023-07/07/2023 |
Marina Ramos Caro, Ana Rojo, Laura Espín López |
Expression of feelings in the short film "Bravura" and its audio description. A comparative study of the interpersonal (meta)function in its visual and verbal narratives |
06/07/2023-07/07/2023 |
Janaína Vieira Taillade Abud, Igor Antônio Lourenço da Silva |
AI and live captioning. Comparing the quality of automatic and human live captions in English |
06/07/2023-07/07/2023 |
Pablo Romero-Fresco, Nazaret Fresno |
Human-machine performances in interlingual live subtitling with different "Englishes" |
06/07/2023-07/07/2023 |
Alice Pagano |
Live subtitling quality on Polish news TV across six quality metrics |
06/07/2023-07/07/2023 |
Łukasz Dutka, Monika Szczygielska, Karolina Szeląg |
At home signing. Increasing accessibility for audiovisual content by enabling the recording of signing tracks in a non-studio environment |
06/07/2023-07/07/2023 |
Simon Hailes, Cristian Pacurar |
How to use AI for subtitling short-form video |
06/07/2023-07/07/2023 |
Maarten Verwaest |
What is the experience of blind and partially sighted people watching sports broadcasts |
06/07/2023-07/07/2023 |
Jonny Marshall |
Audio description, ideology and the normalization of violence |
06/07/2023-07/07/2023 |
Purificación Meseguer Cutillas, Marina Ramos Caro |
Working conditions and job satisfaction of audio describers in Hong Kong, Macao, Taiwan and mainland China |
06/07/2023-07/07/2023 |
Huihuang Jia, Qi Liu, Anna Jankowska, Ching Lin Pang |
What language is that? The need for a new norm for subtitling multilingual audiovisual texts |
06/07/2023-07/07/2023 |
Jan Pedersen |
Taking stock of the audio description research landscape. A bibliographic approach |
06/07/2023-07/07/2023 |
Nina Reviers, Gert Vercauteren |
Transdescription. Human agency in translation of AD scripts |
06/07/2023-07/07/2023 |
Iwona Mazur |
Exploring the role of “agency” in the production of Easy-to-Read subtitles |
06/07/2023-07/07/2023 |
Carlo Eugeni, Rocío Bernabé |
"How can I say this in fewer words?" Exploring how a cognitive theory of conceptual metonymy can be useful for understanding reduction in subtitling |
06/07/2023-07/07/2023 |
Anlaug Ersland |
Irish-language subtitling from the mid-twentieth century to today |
06/07/2023-07/07/2023 |
Carol O'Sullivan |
Accessible filmmaking training. A competency-based curriculum to train filmmakers in media accessibility |
06/07/2023-07/07/2023 |
Florencia Fascioli |
Human factors and algorithmic norms in audiovisual translation |
06/07/2023-07/07/2023 |
Joss Moorkens |