| ¿Y lo ofensivo? Traducción del lenguaje soez y tabú al español hispanoamericano en "Dallas Buyers Club" |
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| "Alcohólica pederasta" o baby sitter ubriacona? Scelte ideologiche nel doppiaggio italiano di "Física o Química" |
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| "Funny fictions". Francoist translation censorship of two Billy Wilder films |
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| "When we rise". Comparing the official Italian dubbing and the fansubs of a LGBT docu-series |
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| A comparison of euphemistic strategies applied by MBC4 and Netflix to two Arabic subtitled versions of the US sitcom "How I met your mother" |
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| A contrastive and sociolinguistic approach to the translation of vulgarity from Spanish into English and Polish in the film "Tie me up! Tie me down!" (Pedro Almodóvar, 1990) |
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| A descriptive study on sex-related language in the subtitling of "Succession" into Spanish |
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| A norm-based analysis of swearing rendition in professional dubbing and non-professional subtitling from English into Persian |
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| A tradução de palavrões nas legendas de "True Blood" |
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| Ad hoc screen translation in Soviet Estonian film clubs |
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| Adaptación cultural de "Steven Universe" para hispanoamérica. Exportación de una agenda progresista de género en animación |
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| American "House of Cards" in Persian. Culture and ideology in dubbing in Iran |
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| An approach to audio-visual translation and the film industry in Spain and Latin America |
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| An overview of the localisation of video games into Arabic |
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| Análisis del cambio de tipo de lenguaje soez u ofensivo en la traducción inglés-español de "Breaking Bad" |
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| Arabic audiovisual translation of taboo words in American hip hop movies. A contrastive study |
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| Are dubbed teen films (still) censored? |
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| Audiodescripciones alternativas de sexo. Los usuarios opinan |
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| Audiovisual translation as a cultural counter-hegemonic device. A case study of English-Persian dubbed animations |
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