| Audio description in Canada |
Book chapter |
2022 |
Rebecca Singh |
| Artificial voices |
Book chapter |
2022 |
Agnieszka Walczak, Gonzalo Iturregui-Gallardo |
| Profiling audio description service providers. A questionnaire-based snapshot |
Book chapter |
2022 |
Irene Hermosa-Ramírez |
| Museum audio description. The role of ADLAB PRO |
Book chapter |
2022 |
Christopher Taylor, Elisa Perego |
| Research in audio description |
Book chapter |
2022 |
Nazaret Fresno |
| Audio describing churches. In search of a template |
Book chapter |
2022 |
Ralph Pacinotti |
| Audio description translation. A retrospective |
Book chapter |
2022 |
Estel·la Oncins |
| Audio subtitling |
Book chapter |
2022 |
Anna Matamala |
| Audio description in Russia 1 |
Book chapter |
2022 |
Ivan Borshchevsky, Alexey Kozulyaev |
| The question of accessibility |
Book chapter |
2022 |
Gian Maria Greco |
| A cognitive approach to audio description. Production and reception processes |
Book chapter |
2022 |
Jana Holsanova |
| Narratology and/in audio description |
Book chapter |
2022 |
Gert Vercauteren |
| University training |
Book chapter |
2022 |
Agnieszka Chmiel |
| Audio description for the non-blind |
Book chapter |
2022 |
Kim Starr |
| Audio description translation. A pilot study Chinese/Spanish |
Book chapter |
2022 |
Yuchen Liu, Irene Tor-Carroggio |
| Audio description and culture-specific elements |
Book chapter |
2022 |
Anna Jankowska |
| Linguistic and textual aspects of audio description |
Book chapter |
2022 |
Iwona Mazur |
| Receptor tools |
Book chapter |
2022 |
Wojciech Figiel, Kamila Albin |
| Access services for the blind and partially sighted. A social and legal framework for the promotion of audio description |
Book chapter |
2022 |
Joan Bestard-Bou, Blanca Arias-Badia |
| A profile of audio description end-users. Linguistic needs and inclusivity |
Book chapter |
2022 |
Elisa Perego, Christopher Taylor |
