"I’m so sorry to disturb you but I wonder if I could have your autograph" versus "¿Me firma un autógrafo por favor?" Contrastive (in)directeness in subtitling |
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"Ut pictura poesis". The rendering of an aesthetic artistic image in form and content |
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A cognitive approach to audio description. Production and reception processes |
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A profile of audio description end-users. Linguistic needs and inclusivity |
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Access services for the blind and partially sighted. A social and legal framework for the promotion of audio description |
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Accessible filmmaking. Integrating translation and accessibility into the filmmaking process |
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Accessible filmmaking. Translation and accessibility from production |
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Artificial voices |
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Audio describing churches. In search of a template |
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Audio description |
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Audio description and culture-specific elements |
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Audio description for the non-blind |
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Audio description for the screen |
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Audio description for the theatre. A research-based practice |
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Audio description in Australia |
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Audio description in Brazil |
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Audio description in Canada |
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Audio description in museums. A service provider perspective |
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Audio description in Russia 1 |
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Audio description in Slovenia |
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