| ¡Luces, cámara, a jugar! Videojuegos basados en películas y películas basadas en videojuegos. Particularidades de la localización en diferentes escenarios |
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Journal article |
| (Re)inventing the genre. The translation of the onē kotoba idiolect in the Japanese-Italian subtitling |
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Book chapter |
| (Sub)titles in cinematic virtual reality. A descriptive study |
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Journal article |
| Accessible filmmakers. Towards a professional profile |
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Journal article |
| Amateurisme et sous-titrage. La fortune critique du "fansubbing" |
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Journal article |
| Aproximaciones traductológicas a lo cómico en las comedias de situación estadounidenses |
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Journal article |
| Audio describing "Ocean’s Eleven" scene 12 out of context. Decision points in AD drafting |
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Journal article |
| Audio subtitles or spoken subtitles/captions. An ecological media accessibility service |
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Book chapter |
| Audiodescrição fílmica no contexto da formação de tradutores |
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Journal article |
| Audiovisual and song translation of Indonesian subtitle in "Shelter" music video |
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Journal article |
| Audiovisual translation |
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Book chapter |
| Audiovisual translators’ strategies in the pragmatics of (im)politeness. Insights from dubbing |
Publication |
Book chapter |
| Bedrock behind the Iron Curtain. Transcultural shifts in the Hungarian dubbed version of "The Flintstones" (1960-66) |
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Journal article |
| Características de la traducción de documentos audiovisuales de divulgación científica sobre temas biosanitarios para el público infantil. "Il était une fois… la vie", un estudio de caso |
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Journal article |
| Características formales de la subtitulación para la televisión en Rumanía |
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Journal article |
| Contributos para o estudo da legendagem. Itinerários de investigação |
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Journal article |
| Dal plain language all'easy-to-read per lettori con disabilità intellettive. Oltre la semplificazione |
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Journal article |
