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2017 |
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2018 |
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2017 |
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2018 |
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2018 |
Agnieszka Walczak, Louise Fryer |
| Audio description of taboo. A descriptive and comparative approach |
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2018 |
Raquel Sanz-Moreno |
| What is audio description |
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2005 |
Jill Whitehead |
| Audio description for (postdramatic) theatre. Preparing the stage |
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2018 |
Hanne Roofthooft, Aline Remael, Luc Van den Dries |
| Nonverbatim captioning in Dutch television programs. A text linguistic approach |
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2005 |
Joost Schilperoord, Vanja de Groot, Nic van Son |
| Effect of caption rate on the comprehension of educational television programmes by deaf school students |
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2009 |
Michael Tyler, Caroline Jones, Leonid Grebennikov, Greg Leigh, William Noble, Denis Burnham |
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2013 |
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2011 |
Sabrina Lopes Martínez |
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1972 |
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2011 |
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| A socio-cultural study of taboo rendition in Persian fansubbing. An issue of resistance |
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2018 |
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2011 |
Carolina Selvatici |
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Journal article |
2011 |
Vera Lúcia Santiago Araújo, Ana Katarinna Pessoa do Nascimento |
| Reading out of the "idiot box". Same-language subtitling on TV in India |
Journal article |
2004 |
Brij Kothari, Avinash Pandey, Amita R. Chudgar |
| How should culture be rendered in subtitling and dubbing? A reception study on preferences and attitudes of end-users |
Journal article |
2019 |
Petar Božović |
| Universal design on stage. Live audio description for theatrical performances |
Journal article |
2010 |
John Patrick Udo, Deborah I. Fels |
