| Audio description for the theatre. A research-based practice |
Book chapter |
2022 |
Aline Remael, Nina Reviers |
| Audio description software tools |
Book chapter |
2022 |
Vincenza Minutella |
| Research in audio description |
Book chapter |
2022 |
Nazaret Fresno |
| Audio description in Russia 1 |
Book chapter |
2022 |
Ivan Borshchevsky, Alexey Kozulyaev |
| Audio description in Brazil |
Book chapter |
2022 |
Eliana Franco, Vera Lúcia Santiago Araújo |
| Audio subtitling |
Book chapter |
2022 |
Anna Matamala |
| Audio description in Slovenia |
Book chapter |
2022 |
Mateja Vodeb, Veronika Rot |
| Audio description translation. A retrospective |
Book chapter |
2022 |
Estel·la Oncins |
| Audio description translation. A pilot study Chinese/Spanish |
Book chapter |
2022 |
Yuchen Liu, Irene Tor-Carroggio |
| Profiling audio description service providers. A questionnaire-based snapshot |
Book chapter |
2022 |
Irene Hermosa-Ramírez |
| Audio description in museums. A service provider perspective |
Book chapter |
2022 |
Anna Fineman, Matthew Cock |
| Audio description for the non-blind |
Book chapter |
2022 |
Kim Starr |
| Audio description. A public broadcaster’s core business and headache |
Book chapter |
2022 |
Gunter Saerens, Tine Deboosere, Jan-Willem Van Hoof |
| The audio description professional. A sociological overview and new training perspectives |
Book chapter |
2022 |
Elisa Perego |
| Opera and dance audio description |
Book chapter |
2022 |
Joel Snyder, Esther Geiger |
| University training |
Book chapter |
2022 |
Agnieszka Chmiel |
| Audio description for the screen |
Book chapter |
2022 |
María Joaquina Valero Gisbert |
| Audio introductions |
Book chapter |
2022 |
Pablo Romero-Fresco |
| Audio describing churches. In search of a template |
Book chapter |
2022 |
Ralph Pacinotti |
| Visitor studies. Interdisciplinary methods for understanding the impact of inclusive museum audio description experiences |
Book chapter |
2022 |
Rachel Hutchinson, Alison F. Eardley |
