| Non-professional interpreting and translation (NPIT) |
Book chapter |
2020 |
Claudia Angelelli |
| Audiovisual translation |
Book chapter |
2020 |
Jorge Díaz-Cintas |
| Subtitling. Interlingual |
Book chapter |
2020 |
Dionysios Kapsaskis |
| Dubbing |
Book chapter |
2020 |
Maria Pavesi |
| Localizing media contents. Technological shifts, global and social differences and activism in audiovisual translation |
Book chapter |
2020 |
Frederic Chaume |
| Audio description |
Book chapter |
2020 |
Jan-Louis Kruger |
| Technology. Audiovisual translation |
Book chapter |
2020 |
Minako O'Hagan |
| Fan audiovisual translation |
Book chapter |
2020 |
Luis Pérez González |
| Audiovisual translation |
Book chapter |
2020 |
Luis Pérez González |
| Subtitling for the deaf and hard of hearing |
Book chapter |
2020 |
Pablo Romero-Fresco |
| Mute, dumb, dubbed. Lulu’s silent talkies |
Book chapter |
2020 |
Tessa Dwyer |
| Gender in war video games. The linguacultural representation and localisation of female roles between reality and fictionality |
Book chapter |
2020 |
Silvia Pettini |
| Women in audiovisual translation. The Arabic context |
Book chapter |
2020 |
Nada Qanbar |
| The sexist translator and the feminist heroine. Politically incorrect language in films and TV |
Book chapter |
2020 |
Irene Ranzato |
| Egypt. Arab women’s feminist activism in volunteer subtitled social media |
Book chapter |
2020 |
Nihad Mansour |
| ¿Merece la pena subtitluar en nuevos soportes físicos? |
Book chapter |
2020 |
Eugenia Arrés |
| Herramientas informáticas para traductores audiovisuales |
Book chapter |
2020 |
Pablo Fernández Moriano |
| La audiodescripción para artes escénicas en España |
Book chapter |
2020 |
Nuria Sanmartín Ricart |
| Técnicas, herramientas y retos de la SPS en directo en un ente público de radiotelevisión |
Book chapter |
2020 |
Ana M. Prats Rodríguez |
| El eufemismo y disfemismo en la traducción de la comedia. Un estudio comparativo entre el subtitulado y el doblaje |
Book chapter |
2020 |
Marta González-Quevedo |
