Overcoming linguacultural barriers in screen translation. Cross-linguistic and cross-cultural encounters in the Italian dubbed version of polyglot films

The multilingual discourse practices distinctive of contemporary multicultural societies have assumed an increasingly prominent position in contemporary European and American multicultural films (cf. Bleichenbacher, 2008; Berghahn & Sternberg, 2010; Jacobsson, 2017), where code-switching (cf. Myers-Scotton, 1993; Auer, 1998; Gardner-Chloros, 2009; Bathia & Ritchie, 2014) stands out as a key conversational strategy when interethnic encounters are at stake. This ties issues of on-screen multilingualism to the field of audiovisual translation (cf. Corrius & Zabalbeascoa, 2011, 2019; Şerban, 2012; Zabalbeascoa & Voellmer, 2014; de Higes Andino, 2014), intended as a key vehicle of intercultural/interlinguistic mediation. This paper aims at looking contrastively and diachronically at how code-switching, implying the recurrent on-screen presence of L3s, has been dealt with in the original version and in the Italian dubbed versions of twenty European and American multicultural/multilingual films, belonging to different genres and released within a time span covering three decades, where interracial relationships are at centre stage; the main objective of this study is to verify whether specific translation, or non-translation, strategies are applied to the instances of language alternation either to faithfully re-create the original linguistic interplay for the Italian audience or to manipulate it in dubbing.