Where film dialogue, creative media accessibility and a West-Flemish strongman meet |
06/07/2023-07/07/2023 |
Sabien Hanoulle |
The evolution of text elements in films. From intertitles to tailored subtitles |
06/07/2023-07/07/2023 |
Rocío Inés Varela Tarabal |
Inclusive initiatives in the museum. SDH in the Centro José Guerrero |
06/07/2023-07/07/2023 |
Eva Guarddon |
Accessible narratives for ADHD audiences |
06/07/2023-07/07/2023 |
Lacey Allen |
Oral easy-to-understand language and audiovisual content. How do they mix? |
06/07/2023-07/07/2023 |
Marina Pujadas-Farreras |
AD and SDH on Portuguese state-sponsored channels. State of play and where to? |
06/07/2023-07/07/2023 |
Cláudia Martins, Catarina Xavier, Susana Valdez, Sara Ramos Pinto, Silvia Malena Modesto Monteiro, Mariana Martins, Marta Morgado |
Making accessibility agile. New challenges and opportunities |
06/07/2023-07/07/2023 |
Estel·la Oncins, Iris Serrat Roozen |
Promoting accessibility and inclusion with subtitling for the deaf and hard of hearing (SDH) as an AVT tool in the EFL classroom |
06/07/2023-07/07/2023 |
Anca Daniela Frumuselu, Antonio Jesús Tinedo Rodríguez |
Co-creating accessible videos. The Mediaverse-CROMA experience |
06/07/2023-07/07/2023 |
Anna Matamala, Víctor García-Melero, Mariona González-Sordé |
The quality of live captioning in the USA. Caption quality task force |
06/07/2023-07/07/2023 |
Łukasz Dutka, Kimberly Shea, Jen Schuck |
AVT3. Audiovisual translation technologies training |
06/07/2023-07/07/2023 |
Verónica Arnáiz-Uzquiza, Paula Igareda |
Subtitling in the platform economy |
06/07/2023-07/07/2023 |
Irene Artegiani |
Pivot translation and direct translation. What’s the difference in quality? An analysis of two renditions of Netflix’s "Paranormal" into Polish |
06/07/2023-07/07/2023 |
Paweł Aleksandrowicz |
Modelling subtitling workflows. A roadmap for subtitling process research |
06/07/2023-07/07/2023 |
Anke Tardel |
The AVT pro certification. At the forefront of professionals’ agency |
06/07/2023-07/07/2023 |
Serenella Massidda, Noelia Marques-Cobeta, Jorge Díaz-Cintas |
Culture doesn't travel well unless a translator is involved. Using pivot templates in audio description |
06/07/2023-07/07/2023 |
Michalina Halwa, Alicja Zajdel, Anna Jankowska |
"Sense and sensibility". Examining bias in human-generated audio description and machine-derived video captions and the implications for video description in a digital world |
06/07/2023-07/07/2023 |
Kim Starr, Sabine Braun |
Machine translation for AD. Exploring the efficiency of post-editing for a multimodal text type |
06/07/2023-07/07/2023 |
Kim Steyaert |
(Main)streaming English dubs. Trailblazing, trends, and training new talent |
06/07/2023-07/07/2023 |
Lydia Hayes |
"I don't remember any typos, I was just trying to play". An end-user perspective on the role of game translation |
06/07/2023-07/07/2023 |
Krzysztof Hejduk, Mikołaj Deckert |